#Impostor factory freebird games series

However, the main portion of the story is often drenched in sentimentality and melancholy. The narrative never felt like it was trying to throw a lesson in your face. It showcases her difficulties with a chronic illness and her struggles balancing work, love, and health.

What follows is a beautiful journey through Linri’s life. Her name is Linri, and he’s actually moving through a simulation of her creation. Not long after Quincey realizes he’s stuck in a time loop, someone decides to reveal the truth to him. You become a passerby to someone else’s life. With Impostor Factory, though, you take on the role of someone moving through another person’s memories. Memories are fickle and we can be biased with our interpretations. It’s a narrative trope that lends itself to emotionality, as well as the understanding that things simply cannot be what they seem. I’ve played a few games about love and loss that take place all within the mind of a singular character. But what I love even more is a deep dive into a person’s history told through their memories. That becomes the games strongest point, and its execution is almost flawless.

#Impostor factory freebird games series

As the third game in the series that began with To Moon, it is still deeply invested in narratives about memories and the lengths people will go to preserve and change them. Its most extravagant feature is a fast paced walk, bound to the shift key. Impostor Factory doesn’t give players a lot to work with. There’s a distinct feeling that some details are missing. Upon entering the house, two odd assistants greet Quincey at the door. It’s situated on large grounds with a dilapidated and seemingly abandoned exterior. The main character Quincey enters a large mansion with the perfect horror backdrop.

It’s a dreary afternoon, complete with rain and an eerie sense that something’s not right. Impostor Factory opens like any good murder mystery should.